I think also, obviously, having someone like Lucas [Goodman], and the people around me are very, not gender-driven or any of that, so when we come in as thing, that's what it is. You can work with us or not work with us and I think that has been helpful. I don't try to put myself in a vulnerable position in that way. I won't just sit quietly.

We created this journey [in the Begin], sonically, that people can really wrap their heads around and live with and get to know us a little bit more. The dark colors, the light colors, our up-tempos, and our down-dreamy stuff.

I grew up as a dancer, and music and dance are so closely tied, that in ballet class you're listening to all this classical music, and in modern class you're working with a live drummer. It was something that always made me feel really comfortable and I've had a connection to since the beginning.

I quit piano and violin because it felt too rigid. It was just my thing, something I fell in love with from a very early age.

I think, more importantly, it's about who is your core team? Who are the people around you that are going to fight for you and make sure that's all protected?

Now, it's so sacred. It's how I see the world. I can't help but look at people, their physicality, and how they move. It's how I see everything.

We're always working on new music and now that we have our own studio space we have tried to stay focus and really explore. But we have projects out that we are super proud of and want to keep building on that.