Making that statement of 'I'm not afraid to be untamed.' It's just kind of the marriage of those two things.

It's definitely evolved from where it started - for 'Treat Me Like Fire,' I wanted something extremely wild because I was going to be running through the woods and I wanted it really nappy and crazy.

I think when we were starting off, I picked a group of women to represent me. The top tiers of everyone that I've worked with are women. It felt more comfortable because they can relate to me.

I would feel weird having someone style me. It would have to be a collaboration. I've had those experiences and every time it happens I don't feel good. What's the point of putting all this work into something and then when you present it, it's not you?

There's so many people that I feel like as soon as that happens, they can really be and focus on what they want to do.

The women in my family are just strong women who do their own thing, so I knew I needed to have individuals like that.

I've always loved vintage and I never like to have something someone else has.