I was curious because I hadn't really known anyone to do just that, so I would stop in on his sessions with his rapper friends, and then one day, I told Astro Raw "I'm looking to sing. He told me to try it out and then we made 'Treat Me Like Fire' and everything started."

As we're growing and stuff, it's been amazing to feel so embraced and have them be so excited. I definitely leaned into my dad a little more starting out because once we actually started to get those people knocking on our doors and emailing.

What kind of art do I want to make? What do I stand for? What inspires me? And then to have people in return respond to that... I think that's the greatest thing because throughout dancing, I'm always looking for that.

It's so important to embrace what you have because if you don't, that can be the root of very self-destructive habits, which I think people waste a lot of energy on.

People just try to put you in a box and I don't see myself in any particular box. I'm making my own box. There's no way I would be able to make the music I'm making without dancing.

Lion Babe, on a work day, is definitely a process. I obviously could do it by myself, but I definitely prefer not to. It's a lot of hair. I used to start with little pieces, and then it just got bigger, and bigger, and bigger.

I grew up as a dancer, and music and dance are so closely tied, that in ballet class you're listening to all this classical music, and in modern class you're working with a live drummer. It was something that always made me feel really comfortable and I've had a connection to since the beginning.