As a writer who happens to be a woman, I am constantly devalued - even by other writers who happen to be women - simply because of a marketing decision. Am I truly less talented, less audacious, less erudite, less brave than my more quote-unquote literary colleagues?

What I like to do and what I have to do are two separate things. I like to read, swim, watch TV, spend time with my family. But I have to work, so I do that.

My only relief is to sleep. When I'm sleeping, I'm not sad, I'm not angry, I'm not lonely, I'm nothing.

I've always been a writer who tackles complex themes and risky subjects - I write about the things that people think but never say aloud.

If a book has a predictable storyline or familiar situations, there's little satisfaction for me in writing it. A woman deciding which man she'll spend her life with? I've read that story a million times, but a stepmother deciding which of her children she'll save in a freak accident? Now that's a challenge.

As a writer who happens to be a woman, I am constantly devalued - even by other writers who happen to be women - simply because of a marketing decision. Am I truly less talented, less audacious, less erudite, less brave than my more quote-unquote literary colleagues?

To be honest, I want readers to be wrung out. As a novelist, I don't have a political agenda or specific philosophy; I'm trying to create a gut-wrenching, intimate, memorable experience.