I was at a restaurant and I heard this little voice at a nearby table pipe up and say, 'I believe I will have the chowder.' I got up and walked out into the middle of the restaurant. There was Sterling Holloway just sitting there being Sterling Holloway. Never in a million years would I have imagined that I'd have the honor of filling his shoes. I just regret not going up to him and saying hello.

I've done so many other projects where you're in a room with a reader and you're acting your lines out: 'We have to get out of here! Any minute the building will explode!' And then the reader says: "Yes...we have to get... out of here." So it's not easy to be in the moment in that kind of situation. Reading with the entire cast in the room for The Clone Wars makes the experience much more organic and I love that.

Everybody can identify with somebody in the Hundred Acre Wood.

A lot of times people will say, 'Well, gosh, you're really good; you should try acting!' And I say, 'Come on! I'm thesping my little guts out over here.'

It was cool to have Mark [Hamill] ask me to do all these voices for him like he was a fan. I was like, "You're not meeting me, I'm meeting you."

I argue with myself, get mad at myself, throw myself around the room and then apologize to myself.

The established characters are easy to recall. I don't know why, but they come back to me instantly when I need them. It's the one-time-only characters that I don't remember where the voice I used came from.