I was at a restaurant and I heard this little voice at a nearby table pipe up and say, 'I believe I will have the chowder.' I got up and walked out into the middle of the restaurant. There was Sterling Holloway just sitting there being Sterling Holloway. Never in a million years would I have imagined that I'd have the honor of filling his shoes. I just regret not going up to him and saying hello.

A lot of times people will say, 'Well, gosh, you're really good; you should try acting!' And I say, 'Come on! I'm thesping my little guts out over here.'

I've done so many other projects where you're in a room with a reader and you're acting your lines out: 'We have to get out of here! Any minute the building will explode!' And then the reader says: "Yes...we have to get... out of here." So it's not easy to be in the moment in that kind of situation. Reading with the entire cast in the room for The Clone Wars makes the experience much more organic and I love that.

I remember as a kid watching TV and seeing Mel Blanc doing his voices and Paul Winchell doing his ventriloquism and thinking, 'Those guys are having a good time. I want to do that.'

I think [Winnie the Pooh] just looks at the world through honey-colored glasses, and everything is honey-fied and sweet for him, and that's not a bad outlook.

I'm usually the guy who says, 'Bruce Willis and Denzel Washington in the Siege'!

I had to be on the set for 'Who Framed Roger Rabbit' because my character was interacting with Bob Hoskins. It's a lot of 'hurry up and wait.' So there I was, at 2 a.m., sitting in a trailer at Griffith Park trying to stay awake. And I said to myself, 'This stinks.' The way I do it is better. I go into the studio about 10 a.m. There's no makeup to worry about. I can wear whatever I want. As soon I get there, I'm good to go. I record my stuff and go home.