I think [Winnie the Pooh] just looks at the world through honey-colored glasses, and everything is honey-fied and sweet for him, and that's not a bad outlook.

Darkwing Duck and Don Karnage are the most fun to do, because they're both probably the closest to me - I kinda improvise a lot of them, kinda ad lib.

My agency tells me I am rare because I sing, do movie trailers, and do cartoons too. I like that because it gives me variety in jobs. I don't just sit and do movie trailers, and I don't just do cartoons either. I can do both, and I feel very fortunate for that.

I've done so many other projects where you're in a room with a reader and you're acting your lines out: 'We have to get out of here! Any minute the building will explode!' And then the reader says: "Yes...we have to get... out of here." So it's not easy to be in the moment in that kind of situation. Reading with the entire cast in the room for The Clone Wars makes the experience much more organic and I love that.

I remember as a kid watching TV and seeing Mel Blanc doing his voices and Paul Winchell doing his ventriloquism and thinking, 'Those guys are having a good time. I want to do that.'

Don Karnage-he's one of my all-time favorites. He's so brash and so bold and so arrogant-and he just doesn't know what he's doing.

Sometimes at drive-thrus I go into Winnie the Pooh and ask for a jar of honey.