I had to be on the set for 'Who Framed Roger Rabbit' because my character was interacting with Bob Hoskins. It's a lot of 'hurry up and wait.' So there I was, at 2 a.m., sitting in a trailer at Griffith Park trying to stay awake. And I said to myself, 'This stinks.' The way I do it is better. I go into the studio about 10 a.m. There's no makeup to worry about. I can wear whatever I want. As soon I get there, I'm good to go. I record my stuff and go home.

I do very little on-camera acting, so within a phrase as a voice actor you have to know how to convey when someone is 95 years old or 19 years old. . . When I was the lead singer of the California Raisins commercials there was a traditional actor there as well and he would do all these body movements without saying anything because he was "acting." And the only acting the microphone picked up on was silence.

Everybody can identify with somebody in the Hundred Acre Wood.

I had to be on the set for 'Who Framed Roger Rabbit' because my character was interacting with Bob Hoskins. It's a lot of 'hurry up and wait.' So there I was, at 2 a.m., sitting in a trailer at Griffith Park trying to stay awake. And I said to myself, 'This stinks.' The way I do it is better. I go into the studio about 10 a.m. There's no makeup to worry about. I can wear whatever I want. As soon I get there, I'm good to go. I record my stuff and go home.

I remember as a kid watching TV and seeing Mel Blanc doing his voices and Paul Winchell doing his ventriloquism and thinking, 'Those guys are having a good time. I want to do that.'

My agency tells me I am rare because I sing, do movie trailers, and do cartoons too. I like that because it gives me variety in jobs. I don't just sit and do movie trailers, and I don't just do cartoons either. I can do both, and I feel very fortunate for that.

A lot of times people will say, 'Well, gosh, you're really good; you should try acting!' And I say, 'Come on! I'm thesping my little guts out over here.'