It's a little like casting out hundreds of fishing lines into the audience. You start getting little bites, then more, then you hook a few, then more. Then you can start reeling them in and that's a loveliest feeling - the whole audience laughing with you.

It's a little like casting out hundreds of fishing lines into the audience. You start getting little bites, then more, then you hook a few, then more. Then you can start reeling them in and that's a loveliest feeling - the whole audience laughing with you.

I remember certain people in the audience laughing and I wanted to ask: 'What are you laughing at? This isn't funny.' Now I realize that laughter can come from insecurity. They don't know how they should be feeling.

I'd get more applause than some because I was just seventeen. If they didn't clap at the end of my act I would limp off stage and boy would they feel guilty. They would all burst into tremendous applause as they saw this poor cripple kid walking off.

When I was nine, we'd take a bus to the seaside. Coming back, we'd take turns entertaining, singing songs and the like. I tried some stand-up comedy. I had a captive audience in that bus. Then I realized I wanted to do more than that.

We talk about theatre museums filled with old costumes and things. What we also need is a theatre museum of the old routines on videotape. We are only the custodians of those techniques, and they should be preserved.

I only travel to good material, a good director and a good company. I won't work in another country for a year any longer, because I have a lovely wife and I adore her and I can't bear to be away from her.