I have come to terms with a lot of things, because, when all's said and done, there's really very little one can do about a lot of things. You just accept them. The point is you just have to keep on working and you just have to keep on living.

Autobiography is the most fascinating thing you can do because you get to touch the human condition. And in the end, what else is there? To me, it's the ultimate affirmation of life, and a miracle of this transient, extremely fragile organism. To celebrate that, I think, is a noble thing to do.

My life is really a history of observing forms and taking in imagery. I don't mean in a photographic way, I mean in a way of feeling them structurally.

For me, drawing is everything, because it informs everything. It even informs my poetry. It's the way I begin everything.

Western art is built on the biographical passion of one artist for another.

My attitude towards drawing is not necessarily about drawing. It's about making the best kind of image I can make, it's about talking as clearly as I can.

More important than having a romance with the object that I'm drawing, is to have a romance with the mark that I am making.