We see with our eyes. We know with our hearts. Outside...Inside.

You're assisting the audience to understand; you're giving them a bridge or an access. And if you don't give them that, if you keep it more abstract, it's almost more pure. It's a cooler thing.

Actually the copies of characters is something I don't particularly like to talk about in articles but just for your information, most characters there's only one.

Well, Detroit Institute is kind of a key - probably the largest permanent collection of puppets in the US.

Take what you got and fly with it.

No, there's not much competition between puppeteers in general because everybody's working their own style.

(Lisa Henson about her father) He admired the job of the man who walks along the road picking up trash with a long stick. He thought that guy had a great job, walking along with a stick, enjoying the road, and doing only good in the world, with hundreds of small actions.