It's as if I were collaborating with myself, revealing my relationship to the material. My hand would make the drawing. Then my mouth would transmit it.

Words can be applied as one might put on a scent, such as perfume. Some scents are so wonderful and others are sickening... titles can be the same.

I was feeling a strong need to change, grow, and break with particular things that were going on in my life and my history, and the material was the perfect answer for that.

I was trying to write an autobiography using prints and patterns that reference emotional, psychological, and personal development in my work, as a person growing up, figuring out who I was. I used fabrics to stand in for occurrences.

When I started working with mirrors, it seemed to be the perfect material to stand in for that waiting.

I think that some works are more accessible than others.

Landscape is a piece that is emotional and psychological.