I love variation in all forms: in painting, in music.

When I get depressed, or anything, I go 'think of all the music I haven't even heard yet!' So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you?

I love silent films. The future is unwritten.

I know from the past, critics often say my films don't have any plot, that kind of thing. I'm used to being told, "Yeah, it's slow and has no plot."

If you have a counterculture band, you put a name on it, you call them beatniks, and you can sell something - books or bebop. Or you label them as hippies and you can sell tie-dyed T-shirts.

It meant a kind of real liberation of expression. It embraced amateurism in a way that I still am inspired by. It was not about trying to get, you know, stadium gigs or even commercial radio play or even record deals for that matter. It was about saying something 'cause you meant it, and expressing something that you felt. And that was primary for that - whatever the scene, whatever punk rock means, it was very, very important to me, very formative.

You are the accumulations of your experiences at any given point. And when you express something those things come out. The thing is I hate seeing my films when I'm done with them, so I don't look back as a chart of my life, but I leave it as a kind of chart. Though, it is a photograph, captured.