[Kenneth Koch] taught us to be playful, to be very appreciative of other poets, to appreciate all forms of expression. He taught us to be experimental.
Jim JarmuschI like all forms of movies. I'm a movie geek, so I watch all kinds of films, but - and I read all kinds of things, too. But the poetry that speaks to me the most directly will contain mundane things, will contain details.
Jim JarmuschI realized, "Gee, you're making the same film over and over here." I just kept making them for my own amusement, but also with this thought in my head that I could collect enough songs to make an album out of it. I am attracted to non-dramatic moments in life. The idea of a coffee break is not something you'd think of as being an important part of your day, so these shorts were like little free zones in which we could just play around.
Jim JarmuschI like repetition, but I really, really like variations, synchronistic things that happen where you're not really thinking about them.
Jim JarmuschI had this idea for a long time to make a film about a poet in Paterson named Patterson. I wanted him to be working class. Eventually I thought a bus was a perfect visual way to move him, to drift him through the city, to have a measured kind of routine lifestyle. And all these things kind of congealed into the film "Paterson" eventually.
Jim JarmuschI love riding on a bus now because you're looking down on the world from not too high of an angle, but people on the street rarely look up into the bus. They're sort of oblivious to this big giant machine, you know, passing by. So there's something very beautiful about the angle that you look at the world through.
Jim Jarmusch