Domesticity is a fact of how social structure works. So if you say, "Well being domestic as a female is a negative trait," then that would be like saying, "Having a family - because that's an economic unit designed to further the economic structures in the world - if you have a family then you're subjugated."

It was a really interesting time in New York in the late 70s and early 80s, and the music scene was really, really interesting because you didn't have to be a virtuoso to make music, it was more about your desire to express things.

The New York School poets are my godfathers creatively.

The filmmaker Amos Poe was a huge inspiration for me by making guerrilla-style punk films on the streets of New York and - well, it's just a lot of painters and artists and filmmakers all within that scene, and it's very, very important to me.

I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting.

Domesticity is a fact of how social structure works. So if you say, "Well being domestic as a female is a negative trait," then that would be like saying, "Having a family - because that's an economic unit designed to further the economic structures in the world - if you have a family then you're subjugated."

I had this idea for a long time to make a film about a poet in Paterson named Patterson. I wanted him to be working class. Eventually I thought a bus was a perfect visual way to move him, to drift him through the city, to have a measured kind of routine lifestyle. And all these things kind of congealed into the film "Paterson" eventually.