Separate two particles, place them at opposite ends of the universe, produce some effect in one, and the other will be identically affected.

A cult classic... both a celebration of the unlimited potential of the comic book form, and a perfect melding of inspiring, iconoclastic imaginations.

Consequently, I get inspiration from all over the place. But it's not like a calculated thing on my part, or a way that I see myself, you know? I'm just interested in things that move me, and I don't care where they come from. In fact, I'm interested if they come from a place I wouldn't expect, or would seem foreign to me on some level.

I love silent films. The future is unwritten.

I'm not an analytical person, so it's not my job to even know what the hell the thing meant. It's not my problem. I'm just supposed to do it. Sometimes, people have explained things to me that I might have been semi-conscious of or not.

Those of us who make films try to make something that we're feeling and that we would like. Then we just hope an audience responds the same way. It's very important to have the electrical circuit made, but I don't have control over how people feel when they flip the switch. So the whole idea of marketing research and test screenings is just foreign to me.

I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting.