Separate two particles, place them at opposite ends of the universe, produce some effect in one, and the other will be identically affected.

Before she married my father, my mother was a film reviewer for The Akron Beacon Journal - a small newspaper.

I never start with the story first, which is maybe obvious, because the narrative line of my films is really not that strong or dramatic. They're very simple.

I think people should have the right to bear arms, but they should be limited as to what kinds of guns they can have.

Separate two particles, place them at opposite ends of the universe, produce some effect in one, and the other will be identically affected.

I hate those live action versions of animated cartoons. It ruins everything, the whole point of cartoons is to get away from photographs. I mean it would be stupid to say that cartoons are better than photographs but its true.

The Limits Of Control is not surrealism, but it is an experiment in which expectations are deliberately removed: expectations for narrative form, for action in a film, for certain emotional content. We wanted to remove those things and see if we could still make a film that was a beautiful film experience, with deliberately removing things many people would expect.