A cult classic... both a celebration of the unlimited potential of the comic book form, and a perfect melding of inspiring, iconoclastic imaginations.

You can define everything as being political and analyze it politically.

I'm like a navigator and I try to encourage our collaboration and find the best way that will produce fruit. I like fruit. I like cherries, I like bananas.

Before she married my father, my mother was a film reviewer for The Akron Beacon Journal - a small newspaper.

I wanted to make an Indian character who wasn't either a) the savage that must be eliminated, the force of nature that's blocking the way for industrial progress, or b) the noble innocent that knows all and is another cliche. I wanted him to be a complicated human being.

Sometimes I make films about scenes other filmmakers would leave out, so I just make the film out of all the things they wouldn't put in. Poetry allows you to do this more than prose, for example.

I think of poets as outlaw visionaries in a way.