I'm not interested in stories. Stories are interesting but I don't think my head works that way. I remember at age 10 I dreamt of making animated cartoons as loops, something you could just project on your wall and look at from time to time. Kind of, something to stare at, something that's always there.

I find it very odd that the amendment about the right to bear arms, laws that were written so long ago, still pertain and don't get adjusted properly. Because the right to bear arms doesn't mean automatic weaponry designed specifically for human combat.

I like marginal characters, I like real people. I learn more from talking to my plumber when he comes to fix my toilet than I do from meeting a movie star. I think my movies are in the same vein as that.

I started working with friends of mine and that, to some degree, continues.

I'm still trying to learn how to do it, I'm still trying to figure out how to make films, but, yeah, it started then [in 1979].

Those of us who make films try to make something that we're feeling and that we would like. Then we just hope an audience responds the same way. It's very important to have the electrical circuit made, but I don't have control over how people feel when they flip the switch. So the whole idea of marketing research and test screenings is just foreign to me.

I have to tell everyone that when I finish a film and it goes out and is released, I never look at my films again. I don't like looking back. I don't even like talking about 'em! So I'm really digging back in my memory because I don't like to sit and look at my films again.