I like to work with actors that have varied experiences. But I don't choose them because of their experience, I choose them because of qualities I think would make an interesting character and to me there is no one way to direct actors, there is only one way to collaborate with one person.

Each one of us is a set of shifting molecules, spinning in ecstasy.

I'm not putting down anyone that does look at their work in that way, but for me I am a hardcore amateur.

If anyone tells you there is only one way, their way, get as far away from them as possible, both physically and philosophically.

I'm not overly analytical, and I don't set out to make something particularly.

A cult classic... both a celebration of the unlimited potential of the comic book form, and a perfect melding of inspiring, iconoclastic imaginations.

I never start with the story first, which is maybe obvious, because the narrative line of my films is really not that strong or dramatic. They're very simple.