I'm really trying to focus on the storytelling, more so than ever before I think, partly because it makes for easier pages.

There's also a lot of punch you get from doing an extreme closeup and have it just be that image with nothing around it. There's a clarity and precision and impact there that you sometimes lose if you put everything else in that background.

No true fan wants to go to Comic-Con and get assaulted with a marketing blitz about just any old show.

One of the most difficult things for any artist to do is create a world that looks both completely alien yet real and possible.

Alasdair Fraser's Culburnie Records has quietly become one of the best Celtic music labels today.

I rarely draw myself, in general, and if I do, I tend to do little cute manga-esque, almost bite-sized drawings of myself.

As an artist, as I design and lay out a page, the less-important things, things I want you to spend less time looking at, I draw them very small, maybe even silhouette them. The more-important pivotal scenes, I draw them larger, maybe even a double-page spread.