I think intelligence is usually sexy until it becomes irritating. After that, you're stuck.

To have a job you can count on as an actor is so rare, whether that means belonging to a regional theater company or being on TV.

Realistically, there is a danger, of course, when you're going into someone's living room as the same guy every week. But I don't fear it because, I mean, there's really nothing I can do about it. I can try to combat it through the work, and maybe make sure I don't do Sheldon 2.0 in any other projects. But it's just really hard for me to find any negative side effects from this experience.

I didn't have an imaginary childhood friend, but I did one day imagine somehow tiny green men, and they were only tiny and green because my brother had a ton of toy soldier toys that came on a skateboard plank type of thing, and I just envisioned in this car driving to church with my mom, they were there.

I love seeing tennis up close.

In voicing so much is left to your imagination to create the world around you like that. It's really the essence of what's so fun for, I think, many people when they first start to want to be an actor, is that they realise they enjoy making up a world around them to exist in, a whole situation and a whole way of being. And even more so than theatre, animation requires that because there's just nothing to go on. It's in your head and your heart or it's not there at all.

My choices in projects have all been character or role-based, and on a financial level, it's obvious: as an actor on a TV series, I get a wonderful paycheck, and a consistent paycheck, which doesn't always happen when you're doing theater or movies.