In voicing so much is left to your imagination to create the world around you like that. It's really the essence of what's so fun for, I think, many people when they first start to want to be an actor, is that they realise they enjoy making up a world around them to exist in, a whole situation and a whole way of being. And even more so than theatre, animation requires that because there's just nothing to go on. It's in your head and your heart or it's not there at all.

When I first started out in Houston, it was theater or bust. And I loved it. I still love it. And then I went to undergraduate and graduate school for acting.

In L.A., I have more of a yard existence, and so I enjoy walking my two little dogs in New York - one's a Maltese and the other's a Shih Tzu.

You can look at the Emmys two ways in you're nominated. It's either win-win or lose-lose. If things go very well and I win, you still have to get up in front of a group of people and risk having God knows what come out of your mouth. If you won't win, you have to breathe deeply and smile and clap with a camera in your face.

Realistically, there is a danger, of course, when you're going into someone's living room as the same guy every week. But I don't fear it because, I mean, there's really nothing I can do about it. I can try to combat it through the work, and maybe make sure I don't do Sheldon 2.0 in any other projects. But it's just really hard for me to find any negative side effects from this experience.

I've grown out of dancing in my car - is it sad? Or I've just become a better driver!

I think in any form of acting, you're always well served if you've done theater.