Does research get in the way of the story? It certainly can. Anything can, given that as writers we're all geniuses at procrastination. But mostly research teaches me about the world. Which often shows me the way, in terms of the story.

I do find stories - or literary fiction - an apt form for analyzing the world. And especially for trying to imagine the other. An agenda, again, that seems more important now than ever.

I love the box that such a decision puts you in, and I love the interest the reader has in seeing how you negotiate that box: that seemingly hugely narrowed set of options. I also like the way in which it reminds us that we connect to the real world. That our relationship to the world matters.

Empathy is a human trait. But lots of humans exercise some traits more energetically than others. By "the usefulness of empathy" I mean the way in which a progressive might claim that empathy is a crucial aspect of any benign political system, and the way a conservative might argue that not only is it not necessary, but it might not even be all that helpful, in that regard.

I'll find something in what I read that snags my imagination in emotional terms; it resonates with me for reasons more complicated than just that it seems like it would make a good story.

I very much like people. I don't much like writers who don't.

The etiquette of blurbs means it's not hard to not blurb something (if it's not by a friend, or student): everyone knows how many books you're deluged with. You can just say you never got to it.