You could pick another two people and you'd have a whole other story and that's why films about love get made and made and made - because there's a million ways to tell it and no two stories are the same.

Ive probably written about three albums that no one will ever hear.

When you're acting, everything is there around you, you just have to believe that it's real. When you're standing there with a slightly grey wig on and you have a baby in your arms screaming in your ear, you can go: "Well, I guess this is what it's like!"

It’s always interesting to me to tell stories that come from difficult political climates.

[on River Phoenix] I would love to see what kind of choices he would be making now if he was still around, some of the characters that he would have played. I mean, to me he was like a rock star, you know, he had it all: he had the looks, he had a great name, he had an attitude, an energy, an excitement about him. He was instinctively like a, he was a rebel, you know? He was kind of Bob Dylan to me, at times, and he had a lot to say. And I've never seen too many interviews by him, but the ones that I saw were pretty electric, pretty... he was switched on, definitely.

British actors come at acting from a slightly different angle. Because a lot of the films are cast out there, they are so used to the angle from which the Americans, and certainly the young guys from LA, are coming at it, that I think it's interesting for them to find these English actors who maybe approach acting from a different place.

I'm not an outdoors person by instinct or nature. I'm more of a city person.