The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.

I don't like to tell people what format they can get things in, or say, "I'm only going to release this on vinyl and nothing else. You have to come to my world." I don't like to say that to people either. But, I do think there's a loss of romance.

Sometimes, I must admit, I'd like to have a second guitarist onstage with me, but it wouldn't look right. I'd like to play for another 20 years, but I don't know... I just can't see it happening. I don't know why. It's a certain foreboding... a funny feeling... vultures.

There is far more sensitivity in acoustic guitar players than could ever be compared to any synthesizer. That's a personal point of view but that's the way I see it. I think that's what it's all about. The drive, the fire, the passion - it all comes out on the guitar.

I like change and I like contrast.

There's a very old recording maxim that goes, 'Distance makes depth.' I've used that a hell of a lot-whether it's tracking guitars or the whole band. People are used to close-miking amps, but I'd have a mic out around the back, as well, and then balance the two. Also, you shouldn't have to use EQ in the studio if the instruments sound right. You should be able to get the right tones simply with the science of microphone placement.

I may not believe in myself, but I believe in what I'm doing.