My guitar style was developed during that 10-year period. That's me. That's the way I play, and I don't wish to play any other way. Our own individual identities are firmly stamped on this album.

I do really believe that all guitarists have a different character that comes through, that's a strong character, the stronger the person is.

We were never a band that did 96 takes of the same thing. I had heard of groups that were into that kind of excess around that time. They'd work on the same track for three or four days and then work on it some more, but that's clearly not the way to record an album. If the track isn't happening and it creates some sort of psychological barrier, even after an hour or two, then you should stop and do something else. Go out: go to the pub, or a restaurant or something. Or play another song.

I suggested back in 1980 to do a chronological live album, but there wasn't that much enthusiasm for it.

But if you want me to knock Kingdom Come, all I will say is that I heard the guitarist said he'd never heard my playing, and I'd defy any guitarist in American not to have heard Led Zeppelin.

I do not worship the devil. But magic does intrigue me. Magic of all kinds. I bought Crowley's house to go up and write in. The thing is, I just never get up that way. Friends live there now.

My vocation is more in composition really than anything else - building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army.