I don't like to tell people what format they can get things in, or say, "I'm only going to release this on vinyl and nothing else. You have to come to my world." I don't like to say that to people either. But, I do think there's a loss of romance.

Almost the moment he died, they put him in Playboy as one of the greatest drummers, which he was - there's no doubt about it. There's never been anybody since. He's one of the greatest drummers that ever lived.

We were never a band that did 96 takes of the same thing. I had heard of groups that were into that kind of excess around that time. They'd work on the same track for three or four days and then work on it some more, but that's clearly not the way to record an album. If the track isn't happening and it creates some sort of psychological barrier, even after an hour or two, then you should stop and do something else. Go out: go to the pub, or a restaurant or something. Or play another song.

You can't expect to be the same person you were three years ago. Some people expect you to be and can't come to terms with the fact that if a year has elapsed between LPs, that means one year's worth of changes. The material consequently is affected by that, the lyrics are affected by that... the music too.

I really wasn't needed... Just straightening up riffs, that's all. Just two guitarists doing it instead of one.

If you wanted to chart new territories and head off over the horizon, you had to make sure you weren't overly influenced by what others were doing ... so it didn't matter what other bands were doing ... we did what we were doing.

I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it.