Live Aid did feel like one hour's rehearsal after several years, but to be part of Live Aid was wonderful. It reall was.

I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it.

The blues appealed to me, but so did rock. The early rockabilly guitarists like Cliff Gallup and Scotty Moore were just as important to me as the blues guitarists.

I'm just looking for an angel with a broken wing.

There's a certain standard in classical music that allows the application of the term "genius," but you're treading on thin ice if you start applying it to rock & rollers.

Once I got a guitar that was relatively user-friendly, but not super-duper easy, I really came on as a guitarist, at that point. It helped. It was a super-expensive guitar either, but something needs to steer you a bit, if you're playing an instrument that is really hard.

There's too many good musicians around for the music around for the business to be sagging.