I'm always sitting down and talking to people that are doing independent features. It depends on the project and the quotient of the people that are involved. There are a lot of different reasons [to do something], like a particular script that resonates with me, in a particular way. It may not so much even be about the part, but what the script has to say.

I never thought television would or could be a long-term commitment.

If you're afraid to live your life in a glass bubble, how can you do what we do in this industry?

You have to be like a sponge and use what you can and how it relates because TV is fluid. Things change on a week-to-week basis. Those are the things that I do with every character. If I'm involved in a boxing movie, I go see fights and learn about boxing. It's part of what we do.

What struck me more than anything is how the people that are involved in government start out from a place of really wanting to do well, no matter what kind of political spectrum they're on, how they have to hold onto that warm fuzzy place in their heart while they're stuck in the machine.

For minority actors, developing our own projects has to be the eventual path. We have a lot of stories to tell and a really unique voice. But none of that is going to be heard as long as we're just the hired hands, acting.

It's great to be able to play the bad guy role because you always get a lot to do, but I'm always looking at the why. How does a person get to that particular point? It's those little cogs in the wheel that make it interesting for me to play. Ultimately, I hope for the audience to be engaged with it because it is going to take a turn.