We are really in a rut with the three-minute song. You know where it's going to go. If you're trying to get your message across sometimes it's wise to say, Why don't we stop here and have a moment of silence, then go in a completely different direction?

America's criminal justice system has deteriorated to the point that it is a national disgrace.

I usually know what kind of song I'm after. I know what I'm trying to do when I start. I don't always get there. But I try to visualize what it's actually going to be.

In the end all that matters is climbing and pushing your personal limits. No matter the grade, if you climb something that was hard for you, then that's sick.

Even if chords are simple, they should rub. They should have dissonances in them. I've always used a lot of alternate bass lines, suspensions, widely spaced voicings. Dfferent textures to get very warm chords. Sometimes you're setting up strange chords by placing a chord in front of it that's going to set it off like a diamond in a gold band. It's not just finding interesting chords, it's how you sequence them, like stringing together pearls on a string. ... Interesting chords will compel interesting melodies. It's very hard to write a boring melody to an interesting chord sequence.

Particularly in my early days, I did very little rewriting.

I'll find a place to rest my spirit if I can Perhaps I may become a highwayman again Or I may simply be a single drop of rain But I will remain And I'll be back again, and again and again and again and again...