We are really in a rut with the three-minute song. You know where it's going to go. If you're trying to get your message across sometimes it's wise to say, Why don't we stop here and have a moment of silence, then go in a completely different direction?

What has worked before is never as good as something that has never been tried before, even if it doesn't work.

Even if chords are simple, they should rub. They should have dissonances in them. I've always used a lot of alternate bass lines, suspensions, widely spaced voicings. Dfferent textures to get very warm chords. Sometimes you're setting up strange chords by placing a chord in front of it that's going to set it off like a diamond in a gold band. It's not just finding interesting chords, it's how you sequence them, like stringing together pearls on a string. ... Interesting chords will compel interesting melodies. It's very hard to write a boring melody to an interesting chord sequence.

The people who are making money are the ones who are writing and singing their own songs.

You certainly don't hear any country music on pop radio today. But for a while you did, and it was a lovely thing to have all the different genres of music cohabitating the Top 40 - the folk sound, The Beatles, the British sound, the Motown sounds, that kind of light country - it was a welcome relief after a few hard rock records. Everyone was sharing the airwaves, and I think it was a beautiful time for American music.

I'll find a place to rest my spirit if I can Perhaps I may become a highwayman again Or I may simply be a single drop of rain But I will remain And I'll be back again, and again and again and again and again...

We are really in a rut with the three-minute song. You know where it's going to go. If you're trying to get your message across sometimes it's wise to say, Why don't we stop here and have a moment of silence, then go in a completely different direction?