If I'm good at something, I'm good at something, and if I'm bad at something, I'm just bad at something. Gender shouldn't have anything to do with any of my work or anything I produce or create.

There's a lot of failing. Failure to me is a lot more important than success because the learning from it is so important. You have to be willing to fail, to step outside of yourself and you can't have a comfort zone. I had to learn that and I'm still learning that.

It's like, say you're a dancer and you've been studying modern dance your whole life so you're used to a certain aesthetic of music or motivation or influence, if I send you something that you're totally not used to or don't understand, rarely does that work. On the average, you're not gonna feel that and it won't be you. You have to be in there.

I like somebody I can consider edgy, because, I also find that when people see me; the first thing they might think about me, musically, is that I rap or make beats, in the sense of trap or hip-hop or whatever, and when they hear what I actually create, they'll often be like, 'Wait a minute, I wasn't expecting this'.

If I'm good at something, I'm good at something, and if I'm bad at something, I'm just bad at something. Gender shouldn't have anything to do with any of my work or anything I produce or create.

Every artist, to me, should know why they're doing what they're doing. You shouldn't create simply because it sounds good to you. That's not a real response to me.

Well, when you think music-wise, and if you hang with me or you see me or whatever, the average person will be like 'oh yeah, she probably raps'. This is that stereotype and then I do what I do, so they're more like 'oh, I wasn't expecting this whatsoever'. This especially links with the idea of being a woman in this kind of work and within the footwork genre.