The only pressure I feel is to write good books. And to not replicate the previous book. Whether you have a thousand readers or a million readers it doesn't change the pressure. I never feel tempted to give the reader what I think the reader wants.

I have problems with a religion which says that faith in itself is enough for a ticket to heaven. In other words, that the ideal is your ability to manipulate your own common sense to accept something your intellect rejects. It's the same model of intellectual submission that dictatorships have used throughout time, the concept of a higher reasoning without any obligation to discharge the burden of proof.

Some artists see a gig as an audience worshipping them. I think it is about having a great time together. I have a part as the singer. An audience has a part. Playing a gig doesn't make me high on myself.

Thanks to the success of Henning Mankell and Peter Hoeg, there wasn't the same stigma attached to writing genre thrillers in Scandinavia as there was in many other cultures. Quite the opposite, in fact.

Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.

Sick is a relative concept. We're all sick. The question is, what degree of functionality do we have with respect to the rules society sets for desirable behavior? No actions are in themselves symptoms of sickness. You have to look at the context within which these actions are performed.

But perhaps that's why we take snaps...to provide false evidence to underpin the false claim that we were happy. Because the thought that we weren't happy at least for some time during our lives is unbearable. Adults order children to smile in the photos, involve them in the lie, so we smile, we feign happiness.