I tell myself I write because I want to say something true and original about the nature of evil. That is very ambitious - to say something about the human condition that hasn't been written before. Probably I will never succeed but that is what I strive to do.

With regard to power, women don't have the vanity men have. They don't need to make power visible, they only want the power to give them the other things they want. Security. Food. Enjoyment. Revenge. Peace. They are rational, power-seeking planners, who think beyond the battle, beyond the victory celebrations. And because they have an inborn capacity to see weakness in their victims, they know instinctively when and how to strike. And when to stop. You can't learn that.

Thanks to the success of Henning Mankell and Peter Hoeg, there wasn't the same stigma attached to writing genre thrillers in Scandinavia as there was in many other cultures. Quite the opposite, in fact.

You get spoiled as a novelist because you get to be the director and the editor, and you play all the parts, but as a screenwriter, you are a bit down the ladder.

Those golden minutes before you are completely awake, when your mind is just drifting, you have no censorship; you are ready to develop any kind of idea. That's when I come up with the best and worst ideas. That is the privilege of being a writer - that you can stay in bed for an hour in the morning and it's work time.

I'm just an entertainer. In a way crime stories are boring. A crime's been committed and at the end you know it will be solved. So you've got to make the story interesting besides it just being a plot. And that's why character matters, why you've got to make the characters interesting.

. We have this attitude that people become drug addicts against their will. That they couldn’t possibly want this kind of life. But maybe that’s not true. Maybe they don’t want to live like other people — it just wouldn’t suit them.