The point of nonviolence is to build a floor, a strong new floor, beneath which we can no longer sink. A platform which stands a few feet above napalm, torture, exploitation, poison gas, A and H bombs, the works. Give man a decent place to stand.

We were raised with that discussion about violence and non-violence, and we all pretty much came up on the side of non-violence. That became my foundation with politics and my livelihood.

I'm a badass. I really am. When you see me hanging with Snoop Doggy Dogg, I am perfectly at home and comfortable.

The white music was melodic and pretty, and you had beautiful women's voices like Gogi Grant and even the Andrews Sisters. Then I went directly to rhythm and blues, which had beautiful voices but not much melody in particular and pretty much the same chord pattern. I loved it, I was entrenched in it, but then folk music came in the middle of that for me, and made its own path. And it was part of the rebellion against bubblegum music, or music that is pretty but doesn't say anything.

There are good guys, and there are congressional people who are good guys, and I certainly vote in those elections. You know, my fondest dream would be if Obama, when he got out of office, decided he was going to go back and organize on the streets. He'd be the only person I could imagine who could really create a movement similar to what King did, and God knows we need that now.

Nonviolence is a flop. The only bigger flop is violence.

And my voice now is a struggle, it's a daily struggle to keep it up. Gravity has begun to fight the vocal cords the way it does with everybody. So I have a vocal therapist, and we record the sessions and I use them on tour every day.