I was addicted to rhythm 'n' blues pretty much directly into folk music. I had my little 45s of mostly black artists. That was as close as I got. I've never listened to heavy rock or stuff that jangles my nerves, because I'm already jangled.

I've been obsessed with stopping people from blowing each other's brains out since I was ten.

The only thing that's been a worse flop than the organization of nonviolence has been the organization of violence.

As long as we keep searching, the answers come.

There's very little I can sing now. When I asked my first voice teacher, who was the best one, "When will I know when to stop singing?" he said, "Your voice will tell you." And it is very, very difficult to sing now.

I wish it was clear for me how it happened [stop writing songs], then maybe I could start writing again. But it's kind of an "it." It just submerged itself. Because the way I had always written was just that it came out. It just happened.

The point of nonviolence is to build a floor, a strong new floor, beneath which we can no longer sink. A platform which stands a few feet above napalm, torture, exploitation, poison gas, A and H bombs, the works. Give man a decent place to stand.