We're not really pacifists, we're nonviolent soldiers.

Back then I was still listening to rhythm and blues, and my aunt took me to see a Pete Seeger concert. And it gelled. He made all the sense in the world to me. I got addicted to his albums, and then Belafonte and Odetta - they were the people who seemed to fuse things that were important to me into music. I think Pete the most because he did what he did to the point where he took those enormous risks and then paid for them.

I think I would have had an easier time of it if I had had training much earlier. Because when I got to the training, it was in my late 30s and I already probably had every bad habit a singer could have. In fact, it still goes on. It's un-training those habits and retraining new ones - the breathing, the relaxation, the tongue, the lungs, the everything.

"Diamonds & Rust" started off as another song. Then the words started to morph. When you write a song that deep, the words come from some place else. But when the songs stop coming, it would be so contrived to try and force it. Since then I've just been doing other people's music.

I think the question that nobody wanted to deal with is the question they're posing: did my kid die in vain? Because the answer is too awful.

People say I'm such a pessimist, but I always was. It never stopped me from doing what I had to do. I would say I'm a realist.

In other words, it is what I do in the world that matters. When I traveled for three months in the Mideast, the places I wanted to go back to were Turkey and the Gaza Strip. It has to do with what Gandhi said: he found God in the eyes of the poor. Those are the places which were so moving that they were just unbearable.