I'm more interested in...I'm more of a descendent. I'm more critical. It comes from a different place and nowadays the young people know how to make just light entertainment.

I danced in a Lifetime film. We shot in Canada and I got to work with a lot of the dancers who do So You Think You Can Dance, Canada.

I went to Indiana University for college for a couple of years where I double majored in dance and journalism, and after my sophomore year there, I went to the San Francisco Ballet school for the summer, but then they offered me a scholarship to stay for the year. That's where I danced after the year they offered me a contract with the company.

In order to dance professionally, you have to start at a young age. No matter what, your muscle structure and your bones have to be groomed from a very young age. Nobody wakes up at 17 and decides to become a ballet dancer. I'm saying that and someone's going to be born tomorrow who decides to do that and I'm going to have my foot in my mouth.

All Asian parents are into your children having a respectable, decent stable job. Acting was unimaginable to my parents.

I would say it's like a meditative process, to have everything done for you every morning.

The young people, they don't knock on the door politely and say "May I come in?" They barge in, they take your seat, and you're obsolete unless you recreate and somehow find grace somewhere else. Another profession may not be like that.