I know why we try to keep the dead alive: we try to keep them alive in order to keep them with us. I also know that if we are to live ourselves there comes a point at which we must relinquish the dead, let them go, keep them dead.

I was supposed to have a script, and had mislaid it. I was supposed to hear cues, and no longer did. I was meant to know the plot, but all I knew was what I saw: flash pictures in variable sequence, images with no 'meaning' beyond their temporary arrangement, not a movie but a cutting-room experience.

It is easy to see the beginnings of things, and harder to see the ends.

We imagine things — that we wouldn't be able to survive, but in fact, we do survive. ... We have no choice, so we do it.

Something I've always known about the screen is that if it's anything in the world, it's literal. It's so literal that there's a whole lot you can't do because you're stuck with the literalness of the screen. The stage is not literal.

What's so hard about that first sentence is that you're stuck with it. Everything else is going to flow out of that sentence. And by the time you've laid down the first two sentences, your options are all gone.

I lead a very conventional life.