Going back to California is not like going back to Vermont, or Chicago; Vermont and Chicago are relative constants, against which one measures one's own change. All that is constant about the California of my childhood is the rate at which it disappears.

Going back to California is not like going back to Vermont, or Chicago; Vermont and Chicago are relative constants, against which one measures one's own change. All that is constant about the California of my childhood is the rate at which it disappears.

We tell ourselves stories in order to live. We live entirely by the impression of a narrative line upon disparate images, the shifting phantasmagoria, which is our actual experience.

Discovery still happens in the writing. You start in nonfiction with a whole lot more going for you, because all the discovery isn't waiting to be made. You've made some of it in the research. As you get deeper into a piece and do more research, the notes are in the direction of the piece - you're actually writing it.

Let me just be in the ground. Let me just be in the ground and go to sleep.

Read, learn, work it up, go to the literature. Information is control.

Once I get over maybe a hundred pages, I won't go back to page one, but I might go back to page fifty-five, or twenty, even. But then every once in a while I feel the need to go to page one again and start rewriting.