The impulse for much writing is homesickness. You are trying to get back home, and in your writing you are invoking that home, so you are assuaging the homesickness.

As a writer, even as a child, long before what I wrote began to be published, I developed a sense that meaning itself was resident in the rhythms of words and sentences and paragraphs...The way I write is who I am, or have become.

I wanted to be an oceanographer, actually. It's a way of going underwater. I've always been interested in how deep it was, you know.

I myself have always found that if I examine something, it's less scary. I grew up in the West, and we always had this theory that if you saw - if you kept the snake in your eye line, the snake wasn't going to bite you. And that's kind of the way I feel about confronting pain. I want to know where it is.

That was the year, my twenty-eighth, when I was discovering that not all of the promises would be kept, that some things are in fact irrevocable and that it had counted after all, every evasion and every procrastination, every mistake, every word, all of it.

Everybody who undergoes a death and finds themselves grieving is obsessed with — or maybe overly focused on — the idea that they can’t display self-pity, they have to be strong. Actually there are a lot of reasons why you are going to feel sorry for yourself, but that’s your first concern.

Actually, when John died, for the first time I thought - for the first time I realized how old I was, because I'd always thought of myself - when John was alive I saw myself through his eyes and he saw me as how old I was when we got married - and so when he died I kind of looked at myself in a different way. And this has kept on since then. The yellow corvette. When I gave up the yellow corvette, I literally gave up on it, I turned it in on a Volvo station wagon.