I need there to be documentary photographers, because my work is meta-documentary; it is a commentary about the documentary use of photography.

Photography... has lived under the tyranny of its subject matter: the object has exercised an almost total domination.

The heart [of my work], the quintessential, remains the questioning of photographic truth. Be careful, be critical, doubt, and filter the information you receive.

Every photograph is a fiction with pretensions to truth. Despite everything that we have been inculcated, all that we believe, photography always lies; it lies instinctively, lies because its nature does not allow it to do anything else.

I need there to be documentary photographers, because my work is meta-documentary; it is a commentary about the documentary use of photography.

Among photojournalists there is still a sense that doing a photomontage is far graver than adding a filter. I am against this type of hierarchy that demonizes some options over others, demonizes them in respect to, what - ideology or moral code?

I have always thought that the photographer does artistic work and that art consists of working with fictional premises.