Even though everybody's lives are different, in general we're all human beings, and we go through the same things: disappointments, the pleasures of life, life and death. That's always been a really big part of the show to me, making sure the audience feels connected, and that carries through to the album.

Blackheart Records being 25 years old represents staying power and the fact that we weren't able to get a record out through conventional means, so we had to create this record company to put out our records if we wanted to be a band that had records to give out to their fans.

As a kid, in the Runaways, I would see the interviewers start to ask about our personal lives and what we did — and I could see the look in their eyes. They were practically frothing at the mouth. So if I answered these questions, I knew they were never gonna talk about the music. It was like that instinct — don’t go there, man. Have boundaries. Have mystery. You don’t have to let everybody in! I want to be singing to everybody, and I want everybody to think that I’m singing to them. Guys, girls and everyone in between.

Nobody knows what anticipation is anymore. Everything is so immediate.

It's just hard to look at yourself and guess how you're going to be perceived by other people sometimes. I do my best to let people know that I'm approachable, but I'm a human being just like anybody else. Sometimes people forget that. They forget that you're a person and they treat you like this celebrity thing. But I have to be patient with that, and I try to be.

I learned how to scream from Marc Bolan.

I think the media has got into this Enquirer mentality. Years ago, legitimate press didn't really concern itself with sordid details of people's personal lives. That wasn't the focus. But also a lot of celebrities were bullied into revealing this breakup or tragedy or divorce or problem. They started to talk about it and the press just started to talk about people's private lives. That just seems to be the norm.