A lot of the touring stuff has become a drag. Traveling itself is a drag. Anyone who's been to an airport knows that.

I think the media has got into this Enquirer mentality. Years ago, legitimate press didn't really concern itself with sordid details of people's personal lives. That wasn't the focus. But also a lot of celebrities were bullied into revealing this breakup or tragedy or divorce or problem. They started to talk about it and the press just started to talk about people's private lives. That just seems to be the norm.

And you have a record company behind it, this is a key too, you need people to fight for your records, at least a little bit. So if you have a great song, it's catchy, and you've got a little bit of help, I think that's all you need. But there hasn't been that in music.

I want to be singing to everybody, and I want everybody to think that I'm singing to them. Guys, girls and everyone in between.

I started The Runaways with Sandy West. We shared the dream of girls playing rock and roll. Sandy was an exuberant and powerful drummer. So underrated, she was the caliber of John Bonham. I am overcome from the loss of my friend. I always told her, we changed the world.

I think it's important to have mystique.

As a kid, in the Runaways, I would see the interviewers start to ask about our personal lives and what we did — and I could see the look in their eyes. They were practically frothing at the mouth. So if I answered these questions, I knew they were never gonna talk about the music. It was like that instinct — don’t go there, man. Have boundaries. Have mystery. You don’t have to let everybody in! I want to be singing to everybody, and I want everybody to think that I’m singing to them. Guys, girls and everyone in between.