As a kid, in the Runaways, I would see the interviewers start to ask about our personal lives and what we did — and I could see the look in their eyes. They were practically frothing at the mouth. So if I answered these questions, I knew they were never gonna talk about the music. It was like that instinct — don’t go there, man. Have boundaries. Have mystery. You don’t have to let everybody in! I want to be singing to everybody, and I want everybody to think that I’m singing to them. Guys, girls and everyone in between.

I know that sounds cliché, but mostly from my own experiences and things I see around me. We're all human beings, and a lot of the things I write about are pretty universal things.

It's very tough to give advice because it's tough out there for everybody but for a girl it's even tougher, because I don't think the glass ceiling has changed at all in the past 30 years. Otherwise the radio would be covered with girl bands, or girls in bands, so I don't think much has changed on that level. But I think that bands can still have a lot of success trying to go another route.

I don't pay attention. I don't read stuff or message boards because you definitely get affected. You can read a hundred great comments, amazing comments, and have one bad one and that is all you can focus on and it wrecks your day. It says something about negativity and how it draws us somehow.

Before I settled on music, I wanted to be an archaeologist, an astronaut, all sorts of really diverse things.

I think it's important to have mystique.

I was in drama, wanted to be an actor.