That was exactly why people didn't want to give us any kind of life, because we were threatening their status quo, and they just didn't want to have room for girls playing rock 'n' roll. It bothered them. First, people just tried to get around it by saying, "Oh, wow, isn't that cute? Girls playing rock 'n' roll!," and when we said, "Yeah, right, this isn't a phase; it's what we want to do with our lives," it became, "Oh! You must be a bunch of sluts. You dykes, you whores." That's what it became. Then it became a name-calling contest.

I think the one-on-one gigs connecting with the fans - is the most important thing. That will help build your fan base. They'll talk about you, and word spreads. Those things are just as important as knowing how to play an E chord.

You got nothing to lose. You don't lose when you lose fake friends.

Performance-wise, you really need to be down in the trenches; you need to do the hard work, for a lot of reasons: To build yourself as a performer, to get a sense of the audience, to work hard and to wonder, 'Do I really want to do this?'

I think I look better in darker clothes. And maybe the fact that I wear black so much makes me more aware of putting people at ease.

People like to tear you down. People are always going to take shots. You've just got to go for it.

I figured out it was a social thing, what women were allowed to do. At a very young age, I decided I was not going to follow women's rules.