I create because it makes me connected to something larger than myself.

I do think that it's a challenge for me or for anybody who has had certain iconic things happen to them in their career to re-engage people and say that there's still more to discover. And also to have that confidence in yourself that you still have more to bring.

This is something I think that blues music, or folk music, and all those particular genres that have a perspective about life deal with - where the difficulties of life are seen as something that are very natural and nothing to be embarrassed about, and something that we all go through; something that's part of our share of humanity. And it accepts those difficulties and pain as such. I think there's a wonderful forgiveness that can come over you, if you have that perspective on it.

The interests behind fracking are very powerful and they've managed to control the dialogue for a while, because they have forced people to sign disclosure agreements; people who have had negative experiences who are not able to speak out because they've signed disclosure agreements with the gas companies. Things like this. They've managed to strangle the opposing viewpoint, but it does seem like the people who are against fracking have started to gain some traction and the realities of what an environmental nightmare it is are starting to become known.

Oh, deeply vulnerable as a woman - to love someone not knowing whether they love me in return.

Through music I've discovered other philosophies. Buddhism in particular is one that has always - whenever I've studied it and read about it, it's just been so true to me. And I do try to take some practices of that into my daily life. Whether that's meditating or trying to see the world from that perspective.

Singing is a f***ing blast. When it’s really good, it’s as good as the best sex. I get nipple erections all the time on stage, I do!