I create because it makes me connected to something larger than myself.

Being an artist is not exactly the most universally respected, or secure thing to do with your life. It can be frightening and you can feel that you're taking a lot of risks just with your own life, and your family's security. But the rewards outweigh those things.

The interests behind fracking are very powerful and they've managed to control the dialogue for a while, because they have forced people to sign disclosure agreements; people who have had negative experiences who are not able to speak out because they've signed disclosure agreements with the gas companies. Things like this. They've managed to strangle the opposing viewpoint, but it does seem like the people who are against fracking have started to gain some traction and the realities of what an environmental nightmare it is are starting to become known.

This is something I think that blues music, or folk music, and all those particular genres that have a perspective about life deal with - where the difficulties of life are seen as something that are very natural and nothing to be embarrassed about, and something that we all go through; something that's part of our share of humanity. And it accepts those difficulties and pain as such. I think there's a wonderful forgiveness that can come over you, if you have that perspective on it.

It's very reassuring and spiritual to be connected with something larger than yourself and the inside of your own head.

You are connected to something very much larger than yourself. And that's a beautiful thing.

I make myself suffer with a lot of self doubt.