This is something I think that blues music, or folk music, and all those particular genres that have a perspective about life deal with - where the difficulties of life are seen as something that are very natural and nothing to be embarrassed about, and something that we all go through; something that's part of our share of humanity. And it accepts those difficulties and pain as such. I think there's a wonderful forgiveness that can come over you, if you have that perspective on it.

Oh, deeply vulnerable as a woman - to love someone not knowing whether they love me in return.

I feel like I'm getting better as a writer and as a singer and that there is more to discover there, so hopefully other people feel that way too without having to disassociate with the earlier work.

I think I had a tendency to get stuck inside my head and go to some very dark places in my mind, and get stuck there. I couldn't see a way to get out.

I create because it makes me connected to something larger than myself.

Even if I'm doing a show and there's five people in the audience and the sound system is terrible - I mean, it's been a while but I've certainly done those kind of shows where it's just every conceivable thing is against you - you still have music. It's still something that's real whether there's five people in the audience or a hundred thousand people in the audience. And that's always been there for me.

How long have you been sitting in the darkness? You forget. You know you're getting hard to be with and you're crying every time you turn around. Oh my crazy baby, try to hold on tight. Oh my crazy baby, don't put out the light. And your hands are shaking something awful as your worries crawl around inside your clothes.