I think I had a tendency to get stuck inside my head and go to some very dark places in my mind, and get stuck there. I couldn't see a way to get out.

The interests behind fracking are very powerful and they've managed to control the dialogue for a while, because they have forced people to sign disclosure agreements; people who have had negative experiences who are not able to speak out because they've signed disclosure agreements with the gas companies. Things like this. They've managed to strangle the opposing viewpoint, but it does seem like the people who are against fracking have started to gain some traction and the realities of what an environmental nightmare it is are starting to become known.

I try to use pain as fuel for my work.

I create because it makes me connected to something larger than myself.

I have to say what I do is not easy and there are definitely moments where I feel inadequate to the tasks I've set for myself. And that's hard to feel - like you're giving your life to something and you can't really do it as well as you want to do it.

Even if I'm doing a show and there's five people in the audience and the sound system is terrible - I mean, it's been a while but I've certainly done those kind of shows where it's just every conceivable thing is against you - you still have music. It's still something that's real whether there's five people in the audience or a hundred thousand people in the audience. And that's always been there for me.

It's not just something that you do intellectually when you do music. You do it with your body, and you do it with your emotions, and you do it with every part of yourself. It engages your mind as well, but engages all parts of yourself.