I have a voice that's obviously untrained - and I think untrainable - so I kind of secreted it away for a long time. Actually, I would write songs with lyrics when I was younger, but I would just sing in my head.

I am not doing something that it is experimental music in relation to classical music.

I am producing sounds that people are not used to hearing from the harp.

I have a recording that I did of instrumental songs.

Never get so attached to a poem that you forget truth that lacks lyricism.

I definitely don't subscribe to the theory that more instruments, or more vocal tracks, harmony, or double tracking the voice, is a good thing. People do their early albums very stripped down, then each album becomes bloated.

Lyrics are very different. There is a clear line between that and a poem. Something that has been a source of great excitement and delight for me is this idea that I get to rhyme.