I didn't really know a lot of the history when I was younger. I didn't realize that the harp is coded in such a specific way in musical circles. It's kind of this society instrument because of its history as a young woman's parlor instrument.

I have a lot of interest in interior rhyming; not just rhyming at the end of the lines, but playing around with rhymes within the lines, playing with where the syllabic emphases in the sentences are, lining those up at strange moments in the line of the song. I’m not sure if that comes across or not.

I don't think I'm abnormal and I think that lets people down.

I had known that people would probably have strange reactions to my voice, because I have kind of an unwieldy, difficult voice, but I never thought that anybody would have a problem with the harp. I just assumed... C'mon, it's a beautiful instrument.

I recorded harp first or singing first. I recorded it all together. Part of the reason is that I don't know how to play the songs without also singing. I forget how they progress. I don't think that any of them are verse, chorus, verse, and so on. They are not simple.

Families of privilege and money would have harps in their parlors, and their cultured daughters would learn to play. It's got such a strange history. But that wasn't the context that I learned it in, so the inherent friction between that history and the more humanist folk-y history wasn't in my conscience at all.

I started playing harp about fourteen years ago.