It's really, really hard to make it as a fine-art photographer exclusively.

I am fascinated by the human body and all its evolutions.

I know the families that I photograph extremely well and have known them for a very long time.

But empirically I've come to understand that my photographs really don't do any harm.

I'm an artist that's attracted to a specific way of seeing and a way of being.

Any artist that's involved in their work is inevitably going to have a focus in what they do.

If somebody's pointing a trembling finger at your pants and saying you shouldn't be doing that, follow that finger back, go up the arm and look at the head that's behind it, because there's almost always something fairly woolly in there.